8s 

1910 
April 19 
NeAn 


i Nave 


ing Ne 
7, ‘ aM 
ae 


« 
Pet) é 
(13) Soh ND 
5 oar 


Rts na) i 
ek 
can 
a 


tens 


¥ 


ek Ke 


‘x 

= 

i 
Hi 


ay 
\ 
\ 


ite 


a 


ee 
Blew itch 


THE SUNLIGHT 


DomENICO MorELuLI. IN 


24 


No. 833 


Representative Patnturgs 


FModern Butch and french Masters 


FROM THE 


PRIVATE COLLECTION OF 


Mr. S. Hope-Fobhustone 


AND OTHER COLLECTORS 


INCLUDING 


DIAZ HENNER MANET 

DUPRE JACQUE ISRAELS 

ZIEM - BOSBOOM MESDAG 
ROMNEY GUARDI WEISSENBRUCK 


DAGNAN-BOUVERET, AND OTHERS 


TO BE SOLD WITHOUT RESERVE 


AT CARNEGIE LYCEUM 


57TH STREET AND SEVENTH AVENUE 
APRIL 19 AND 20, 1910 
Ce ceeecceen aN al 
BEGINNING PROMPTLY AT 8.30 o'CLOCK 


Turspay EveENInG, . : . Lots 1-60 
WEDNESDAY EVENING, . : ‘¢ 61-124 


THe PAINTINGS ON EXHIBITION FROM WEDNESDAY, APRIL 13, 
To TuEsDAY, APRIL 19, 10 a.m. To 5.30 P.M. 


The Anderson Auction Company 


12 East 46TH STREET 
New York 


TELEPHONE, Murray Hin 120 


ART AND MISCELLANEOUS. 


Conditions of Sale. 


1. All bids to be per Lot as numbered in the Catalogue. 

2. The highest bidder to be the buyer; in all cases of disputed bids the 
lot shall be resold, but the Auctioneer will use his judgment as to the 
good faith of all claims and his decision shall be final. He also reserves 
the right to reject any fractional or nominal bid which in his judgment 
may delay or injuriously affect the sale. 

3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots pur- 
chased to be immediately resold. - 

4. The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of 
the purchase money to be absolutely paid on or before delivery, in default 
of which the Anderson Auction Company will not be responsible if the 
lot or lots be lost, stolen, damaged, or destroyed, but they will be left at 
the sole risk of the purchaser, and subject to storage charges. 

5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of purchases, no lot will be delivered during the sale. 

6. All lots will be exposed for public exhibition two. or more days 
before the date of sale, for examination by intending purchasers, and the 
Anderson Auction Company will not be responsible for the correctness of 
the description, authenticity, genuineness, or for any defect or fault in or 
concerning any lot, and make no warranty whatever, but will sell each lot 
exactly as it is, without recourse. But upon receiving before the 
date of sale expert opinion in writing that any lot is not as represented, 
the Anderson Auction Company will use every effort to furnish proof to 
the contrary, and in default of such proof the lot will be sold subject to 
the declaration of the aforesaid expert, he being liable to the owner or 
owners thereof for damage or injury occasioned by such declaration. 

7. Terms Cash. Upon failure to comply with the above conditions 
any sum deposited as part payment shall be forfeited, and all such lots as 
remain uncleared after twenty-four hours from the conclusion of the sale, 
will be re-sold by either private or public sale at such time as the Ander- 
son Auction Company shall determine, without further notice, and if any 
deficiency arises from such ré-sale it shall be made good by the defaulter 
at this sale together with all the expenses incurred thereby. This con- 
dition shall be without prejudice to the right of the Anderson Auction 
Company to enforce the contract with the buyer, without such re-sale. 

8. The Anderson Auction Company will afford every facility for the 
employment of carriers and packers by the purchasers, but will not be 
responsible for any damage arising from the acts of such carriers and 
packers. 


Backhuysen..........:..... 45, 49 
Balostrierl. =... .:........... 22, 75 
ONS Ge A ee eae 23 
WOQEBASAT)..4)5004 5506.0 b se. 28, 79 
Bauerle. 2. cee. cece cede. woe CL. 
a) ae ee be 38 
LOT ee He 42 
Berne Bellecour............. 29, 89 
Oo ee 106 
OE De ae 73 
1S 2 RE a 41, 48 
bots A 1, 4, 68 
Bretom({E),.......; Gel rae 90 
eS Too ea 119 
CCS ee rs 83 
oe Ae 101 
EN Fe tc key aes 82 
OSS a 18 
(0 LN a 85 
Dagnan-Bouveret............ 100 
Diamoverewk.t. « <. Soe ore 78 
OL OS A a 36 
ee 92, 95 
ONTENTS. ssc ole aacc oes 114 
DL Ae A i taal 
Mee aie wc koe eae ae ss 97 
LUISE. lee ote gee 98 
oh ee a 91 
UEPEUES. 6 ae ee 8, 67 
LDC. hs a a eee 74 


PU ee te ok. ss 17 
DH ED ie Bald ae baa dail oh da Raed nO 54 
er hc Fila) igual fk te de de dea 124. 
Riel eee Gi ee 107 
LLNS 5 ls erstellen PRE 2 
ATED Se a en aa 66 
HEROD PHOT. orga. sce chm ee ae 116 
EERE ATA TON hc, sc aic ale 5 ee 59 
J TSIEN fhe Uk A ea 6, 65 
NGEAGIEE er ee ee od ok os 50 
DSU IOV oh Perel te ie ie sk, sf 9's 87 
EEC C  ee es 94 
COO ait) canadian ak 20 
OS IT Oe Pee ics one ie ko ick 40 
LISTENS hog eh eae a 12 
| RCA Ge SA a ote a a ee 34 
PROOMIOGKE ee senate nine wnat 76 
PpaIMDINOU oc iio iechetta oe 72 
POR WEBNGOS G20 Hi -hich be ceo «ease 120 
MERA E MMR yeh ac ees oss ocak a 21 
CTASV Cn RS pr en ae 102 
UC CRE AS a ee e eP 56 
MGW a oes o IC OS OE CCE 11 
WanG Dera xc tice ke an eters sar ie 105 
IEE RY AR SIS manta aang ae 39, 52, 88 
MEOUINOT He, ois ws a choles ae 84 
WIGh el ttre s Meee heels 110 
MGDLGST Gono. tie rene alco eran ¢ 10 
(MOCAIEL IN) secs eh ae nite wate «4s 24 
Morelli eave ecerasiee th core. 24 


li INDEX 


LOT 
Pichatas seme icetaent ore: 19, 70 
Poggenbeek, oo. ssacsenes cs 35, 47 
Pope..... so nictvneie sicko edb as target ieee 5 
Poussin..... SRO IS Meratecoishees 57 
IPriestian cate cwuimernciersce ees 43 
tA) OF aoa A APRS OTROS Oho tec 44 
Robinson. cee cote cr aes 99 
ROMNCY. 375.0 scree aeeiee sone 118 
Rudell ay a.cs susie eee 61 
Sanchez-Perier,,............- 32 
Searles Nortcsiael cp cieiean oie 60 
Scheer... Ss as axe oe ehen tee 112 
Segantini......... RAGoptOe hae 25 
Tassaert 3 sacaat sonic enacts es 16 


Thurlowekxcedchetene cee 93 


LOT 
Tiepolo. . s..- «sae see ee 58 
Tirratelli; co.cc eee 26 
TLOYON asics oieto a eee .96, 108 
Unknowns... seeeee .. 8, 68, 121 
Vanderheyden. «s.....0- «+34 53 
VanMarcke.. 1.4 cee 15 
Vincent... oi e.<eet sepohstaieners 115 
Weissenbruck..............-- 51 
Wilson: 44.2.5. .06e eee 117 
Wisniewsk1. «2: .anieeesteeeeee 33 
Wiohistleriy ce setae PER OAG AA 86 
Woodward. 2s... asneeeee 7,31, 104 
"Wyant... os «nici eeeeneneretenet 55 
Werysmiuller..< tiie st eeesteneneaen 37 
ZAC... 5. &.s)e-arecenete eres 27, 108 


RTODOR 03s _......-Head of a Young Girl............ ... 46 
epee... A Dead Calm........... Sone eeu 
DaAGNAN-BOUVERET - BPC OMIVA OG Ai das; grebsiea ba oi 6) sere be nes 100 
emenemae 14), Dutch Interior. 2.6.0.0... e eee eee ee 36 
one wtpe ka eee du Bois Egan Hird Chea ah Re eee ae . 95 
PEI aa eie ec ses 5s atie MIR TER ne ie ecard eet « sag toiaieacs 74 
GARDE eae ce sicvew css eRe ey «Ue els ce siese.s sic deine 56s 54 
HEUNER pet © Eaiskeee cs BEER ag tele nied cose) awiaiele cela ed viernes 107 
ANS ee In the Sheep Stable...........-....06- 94 
OES a Clock Tower, ereatend ane sehr ater action 66 34 
TONG ee ais cac ce as + ms Bremer LUCA Nets cat a sei is oe 8 Sie soa 8.0 a! a 52 
CEE sc. eis sess In the Sunshine.:.......... Ecie’s 24 
BGM nig n'y sins ws 0 Miss Rumbold as Artemis............ 118 
POMON, ccc. e eee ose CRM POLAT Oy wait cjsx'ws ad nels e oe 2 ne 96 
Oo or anal Gy San MALCO.. cies) sce anos ss ee 108 


Catalogue 
833 


NOTE 


This Sale will be held at CARNEGIE LYCEUM, 57th Street and 
Seventh Avenue, Tuesday and Wednesday Evenings, April 19 and 20, 
beginning promptly at 8.30 o’clock. 

The Paintings are the property of Mr. S. Hope-Johnstone, of 
New York City, and a few other private owners, and will all be sold 
without reserve to the highest bidders. 


FIRST EVENING’S SALE, TUESDAY, APRIL 19, 1910 


1 


GEORGE BOYLE. 
English Contemporary Painter. 


A MEADOW PASTURE IN KENT. 
Canvas. Signed. 


a Height, 17 in.; width, 21 in. 
Ay 
2 
E. HILDA. 


Contemporary French Painter, 
ON THE BANKS OF THE GANGES. 


Water color. 


Two sleek-looking tigers lie peacefully resting at the foot of 
a short flight of marble garden steps, beyond which is seen a 
mass of tropic foliage. At the right flows the river, brilliantly 
colored by the reflections from the sunset sky. 


0 Signed. 
Wa Height, 14 in.; width, 19 in. 


Ty ee 


3 
UNKNOWN. 


INTERIOR OF A STABLE, WITH FIGURES. 


In a well-lighted stable a woman is seen feeding a cow. 


Height, 6 in.; width, 8 in. 


4 


GEORGE BOYLE. 


English Contemporary Painter. 


ENGLISH LANDSCAPE, WITH CATTLE. 


Canvas. Signed. 
Height, 12 in.; width, 18 in. 


5 
ALEXANDER POPE. 


THREE OF A KIND. 


This work of the Boston animal painter shows three young 
spaniels seated in a straw-lined kennel looking enquiringly at 
the beholder. 


Signed and dated ‘‘’91.” 
Height, 174 in.; width, 234 in. 


GEORGE INNESS, JR., N. A. 
| 1854— 


- THE EVENING GLOW. 


Canvas. Signed. 
b Height, 10 in.; width, 8 in. 


| 2 q 


' 


DEWING WOODWARD. 


THE MODEL’S REPOSE. 


%, 

ia | 

|= A semi-nude female figure is seen sitting “on the ground, 
% leaning against a wall. Beyond is a lake bordered by trees, 
i whose flickering shadows fall across the figure. 
? ; 


Signed. 
Height, 154 in.; width, 23} in. 


yooh 


8 


tL, C; EARLE, N. A. 
1845-1909. 
LANDSCAPE IN THE RAMAPO VALLEY. 


Canvas. Signed. 
Height, 84 in.; width, 12 in. 


cg 


9 
M. J. C. a* BECKET. 


American Painter, deceased. 
LANDSCAPE. 


Canvas. Signed. 
Height, 22 in.; width, 30 in. 


10 
A. MILESI. 


Contemporary Italian Painter. 


A VENETIAN WOMAN. 


Water color. 


A dark-skinned woman, with lustrous eyes, looking toward 
the beholder, and a mass of black hair which falls low on one 
side stands against a white wall. She wears a yellow ’kerchief 
about her head, tied under her chin, and over her white waist 
she draws a striped shawl. The artist is one of the clever 
painters of Northern Italy who produces figures and genré 
compositions with much skill. 


Signed. 
Height, 26 in.; width, 184 in. 


11 
C. LUDWIG. 
Contemporary French Painter. 


THE FERRY OF CHARON. 


Canvas. Signed. 
Height, 10 in.; width, 14 in. 


12 
WILLIAM KEITH. 


Contemporary San Francisco Painter. 


A CALIFORNIAN LANDSCAPE. 


This pleasing work from the brilliant Western painter shows 
a lake bordered by great trees which rise in the foreground, 
their branches seen against the sky. On the water falls a strong 
c1e light, while the blue mountains fill the horizon. 


y Canvas. Signed. 
Height, 153 in.; width, 20 in. 


138 
MATHIAS ALTEN. 


Contemporary American Painter. 


THE FISHERMAN’S DAUGHTER. 


Canvas. Signed. 
Height, 25 in.; width, 20 in. 


lv 
14 
M. J. C. a’BECKET. 
American Painter, deceased. 
MOONLIGHT ON THE SEA. 
Canvas. Signed. 
as Height, 20 in.; width, 30 in. 
) a 


15 


EMILE VAN MARCKE. 
1827-1890. 


Medals, 1867, 1869, 1870. 
Legion of Honor, 1872. 


THE PASTURE—A STUDY. 


Two cows are seen grazing in the meadow, beyond which 
rises a low hill. In the foreground a pool of water across 
which stands some bars supported by three posts. This in- 
teresting study is restrained in color, displaying to advantage 


the artist’s brushwork. 


Canvas. Signed. 
Height, 11 in.; width, 16 in. 


From the Van Marceke Sale, No. 300. 
Bought of Boussod, Valadon & Co., Paris. 


16 


NICOLAS FRANCOIS OCTAVE TASSAERT. 
1800-1874. 


Represented in the Luxembourg Museum by two pictures. 


A MOTHER’S DREAM. 


The mother seated beside her child’s empty bed, ina transient 
dream, finds her lost one brought to her through the open 
window, borne in the arms of anangel. Tassaert, during his 
lifetime, was one of the most popular of French painters and a 
great friend of Alexandre Dumas, 


Canvas. Signed. 
Height, 16 in.; width, 124 in. 


“YW 


y 


1 


17 
VICTOR GILSOUL. 


Contemporary Belgian Painter. 


EVENING AT ALOST. 


vy 


From the foreground runs the village street toward the 
church, whose walls and lighted windows fill the vista. At 
the right some shrubs are seen over a garden wall and down 
the street, broken by shadows from the buildings, moves a 
eeue be eas the church, Beautiful light fills the sky, studded 
with stars. 


Canvas pasted on board. Signed. 
Height, 15 in.; width, 18 in. 


18 
HEVA COOMANS. 


CHANT D’AMOUR. 


Two young women, one seated, one reclining on a stone seat 
amid Juxurious surroundings, listen to a song from a slave, who 
kneels on a tiger skin at their feet and plays on a long-necked 
mandolin. Beyond the marble parapet is seen a glimpse of a 
blue lake and mountains rising on the horizon. 


Canvas. Signed. 
Height, 20 in.; width, 274 in. 


19 
O7 PIGHAT: 


A LIEUTENANT OF GENDARMES. 


In military uniform and wearing a decoration on his breast, 
the handsome officer is seen mounted on a dark bay horse 
standing at rest. His sword falls at his side. At the right 
appears an inscription of the artist to his friend. Though little 
known in this country this artist has been officially recognized 
and decorated in France, and is the painter of the great pano- 
rama of ‘‘Jerusalem and the Crucifixion,” which has been 
shown in Paris for fifteen years. 


Signed... 
Height, 124 in.; width, 104 in. 


20 
MAURICE JACQUET. 


APRIL. 

From the foreground the little river curves away and is lost 
in the distant shrubbery. Reeds and dead grass line the margin 
of the stream, and at a distance a little boat with two figures 
is seen against the shore. A purple mist spreads over the land- 
scape suggesting the early spring time. Painted in April, 1904. 


Canvas. Signed. 
Height, 15 in.; width, 18 in. 


21 


GASPARD LATOIX. 
Contemporary French Painter. 


Though the work of a French artist, the work shows an 
American landscape, with our own skies, buildings, and cattle, 
painted with knowledge and fidelity. 


Canvas. Signed. 
Height, 30 in.; width, 45 in. 


22 
L. BALESTRIERI. 


NIGHT SCENE IN THE RUE DE ROME, PARIS. 


Water-color. 


Outside a brilliantly lighted café, a chestnut-vender has set 
up his stand, at which a woman and child stop to buy, Others 
are seen passing, while in the street loiterers stand gazing 
through the gratings at the railroad trains below, moving to 
and fro, sending up clouds of steam that mingle with rose- 
tinted clouds of evening. This artist won wide renown by his 
picture entitled ‘‘ Beethoven,” some years ago, known in this 
country through reproductions. 


Signed. 
Height, 12 in.; width, 184 in. 


v< 


23 


NIECOLO BARABINO. 
1831-1891. 


MADONNA AND CHILD. 


Water-color. 


This is a small reduction of the artist’s large composition in 
oil, owned by Queen Marguerita since 1887. Willard’s History 
of Italian Art says: ‘‘ No other modern religious picture, out- 
side of Morelli’s, has attained equal celebrity or become so uni- 
versally familiar and so universally popular throughout Italy 
as this Madonna by Barabino.” This artist was chosen to deco- 
rate the three lunettes over the portal of the facade of the 
Florence Cathedral, the work being in mosaic from his cartoons. 


Signed. 
Height, 174 in.; width, 94 in. 


24 


DOMENICO MORELLI. 
1826-1900. 


Medals, 1855, 1861. 
Exposition Universel, 1867. 
Diploma of Honor, 1880. 


IN THE SUNLIGHT. 


q° 


mo 


This picture, by one whom the official jury of the Turin Ex- 
position of 1880 voted as the foremost artist of Italy, shows a 
young peasant girl coming across the flower-dotted fields, and 
carrying an earthen water-jug in one hand, while with the 
other she holds up her dress. Beyond rise the blue hills, and 
over all the brilliant Southern sunlight, which he sought to in- 
terpret with the utmost fidelity. Fewof his works have found 
their way to this country. 


[See illustration. | 


Canvas. Signed. 
Height, 163 in.; width, 10} in. 


“4 


25 


GIOVANNI SEGANTINI. 
1858-1899, 


IN THE ITALIAN ALPS. 


This view of a little mountain village, nestling in the shadow 
of the Alps, is a characteristic example of one of the greatest 
of modern Italians, who spent the largest part of his life in the 
Italian Alps. Working among the humble shepherds and 
tillers of the soil, he produced pictures which caught the atten- 
tion of the world by their rare fidelity and singular beauty. 


Panel. Signed. 
Height, 10 in.; width, 16 in. 


26 


CESARE TIRATELCLI, 


Contemporary Italian Painter. 


ON AN ITALIAN HIGHWAY. 


Two women, bearing baskets of fruit, are approaching along 

a shaded woodland road, followed by an old man. A boy is 
oon at the left, and in the grass at the right the family dog. 
Both figures and landscape are painted with much skill. 


Canvas. Signed. 
Height, 123 in.; width, 30% in 


— ie Rees. |, ee 


27 


FELIX ZIEM. 
1821-1908. 


Medals, 1851, 1852, 1855. 
Legion of Honor, 1857, 
Officer, 1878. 


LA SALUTE, FROM PIAZZA AUGARANI. 


The Church of Madonna della Salute, with its beautiful 
dome, has been made the subject of more pictures than, per- 
haps, any other building inthe world; yet its interest is never- 
ending. Here we have it from a small piazza, rendered with 
this painter’s wonderful sense of color and his poetic imagina- 
aes Across the water rises the Campanile in the evening 
ight, 


Panel. Signed. 
Height, 84 in.; width, 64 in. 


28 


MARIANO BARBASAN. 


Contemporary Spanish Painter, 


A PROVINCIAL FAIR IN SPAIN. 


The busy scene of a fair, with its white tents and the motley 
character of the people in their native dress, under the deep 
blue of a Southern sky, has delighted the artist: In the white 
roadway of the foreground a young woman fruit-seller engages 
the attention of a young gallant in sombrero. At the left a 
family is resting wlth their donkeys and pigs. Mingled with 
the distant tents are horses, donkeys and men, in gay trappings, 
sparkling in the intense sunlight. Snow-capped mountains 
rise on the far-off horizon. 


Panel. Signed. 
Height, 13 in.; width, 19 in. 


29 


E. BERNE-BELLECOUR. 
1838. 
A FRENCH ZOUAVE. 


A soldier wearing the uniform of a French zouave stands 
leaning against the wall of a house drinking from a cup and 
holding a bottle in his right hand. In the valley beyond are 
seen the tents of the army encamped, with mountains rising on 


the horizon. 


Panel. Signed. 
Height, 14 in.; width, 10 in. 


30 
RICHARD FEHDMER. 


Contemporary Belgian Painter. 


SUNSET ON THE LAKE, 
W ater-color. 

On the shore of the lake rises some noble beech trees in 
autumn foliage, all drawn and painted with masterly knowl- 
edge, through which the sunset light penetrates. A single 
figure is seen at the right beneath the trees. The artist shows 
his deep sentiment for nature and his long and serious training 
in interpreting her tree forms, 


Signed. 
Height, 24 in.; width, 36 in. 


31 
DEWING WOODWARD. 


THE DANCING LESSON. 
Aquarelle on Ivory. 


In a garden landscape, a nude female figure stands against a 
tree with two pipes to her lips and looking down at a gorgeous 
peacock which spreads its tail before her, forming an exquisite 
picture of great idyllic charm, 

Signed. 
Height, 94 in.; width, 54 in. 
Exhibited at the Salon, Paris. 


34. G. W. Knap. THE TowrR At AMSTERDAM. 


j 
i) 
{ 
{ 
‘| 


EMILIO SANCHEZ-PERRIER. 


Born at Seville. Died 1907. 
Gold Medal 1879. 


be ; Order of Isabella. 


SCENE NEAR PAU. 


A river somewhat shrunken curves through a rock-strewn 
course, and above are houses with lawns and gardens which 
run down to the bank, along which a woman is spreading out 
her linen to dry. At the right another with basket on her back 
S heal . gathers fagots, passing the flowers that blossom in the sum- 
mer sunshine. 


Panel. Signed. 
Height, 94 in.; width, 16 in. 


| 


33 


BRONISLAW WISNIEWSKI. 


A GOOSE HERD. 


Seated on a river bank a child is seen eating with a spoon 
from a red stone jug, his cap on the ground beside him, A 
flock of geese have crossed the stream and are discussing the 
desertion from their herder on the opposite bank.’ Beyond 
6 stretches the sunny landscape under the summer sky. 


ae 
36 Signed and dated 1892. 
Height, 30 in.; width, 33 in. 
Shown in the Russian Art Collection at the World’s 
Fair, Chicago. 


34 


GERRIT WILLEM KNAP. 
1873. 


Contemporary Dutch Painter. 


THE TOWER AT AMSTERDAM. 


Above the mass of gables that stretch along the quay border- 
ing the canal rises the picturesque clock tower of the old city. 
Many market boats are clustered along the shore about which 
the gulls flutter. This is the work of one of the younger men 
who is gaining rapid recognition, his work having appeared in 
the expositions of Berlin, St. Louis and Amsterdam. 


[See Illustration. ] 


Canvas. Signed. ~ 
Height, 154 in. ; width, 13 in. 


Purchased from the Artist. 


35 


GEORGE POGGENBECK. 
1852-1903. 
Medals 1883, 1889, 1893, 1896. 


AT NIGHTFALL. 


Through the meadow runs a small stream, above which swings 
a gate. Beyond the stretch of field and meadow, the roofs and 
towers of a town are seen. The sky is tinged with the light of 
sunset. Though differing from Mauve in his subjects, he 
painted the scenes of his native country with the same deep 


feeling for the sentiment in nature. 


Panel. Signed. 
Height, 94 in.; width 14 in. 


36. J. EF. STEERE DE Jonc. A DutTcH INTERIOR. 


36 


ioe oo.) EERE DE: JONG. 
1866, 


Contemporary Dutch Painter, 


DUTCH INTERIOR. 


rain 


This work by one of the talented young men, shows a room 
in a Dutch cottage with a woman seated grinding coffee, with 
a coffee pot on the table beside her. There is unaffected sim- 
plicity in the work which marks the artist as one whose career 
is to be watched with interest. He enjoyed for four years a 
subsidy from the crown after leaving the Amsterdam Academy 


and is represented in the collections of the Queen, Dr. Bredius, 
and others. 


[See Illustration. ] 


Signed. Canvas. 
Height, 124 in.; width, 8? in. 


Purchased from the Artist. 


37 


J. H. WYSMULLER. 
1855. 


Medals at Amsterdam and Antwerp. 


THE MILL. 


og 


Water-color. 


Beside a sluggish stream a Dntch windmill stands, its arms 
stretched out against the cloud mottled sky. Some Holstein 
cattle are seen grazing in the green meadow which sketches 
away to the horizon broken by a distant church tower, At the 
right of the mill a small red roofed house nestles close, Living 
in Amsterdam, this artist followed other pursuits for some 


time before taking up the profession in which he has won suc- 
cess. 


Signed. 
Height, 14 in.; width, 104 in. 


38 


MARIUS BAUER. 
1867. 


i Order of Orange-Nassau. 
Grand Prize, Paris Exposition, 1900. 
Noted as an Etcher. 


ORIENTAL NIGHT SCENE. 


Against a high wall of a mosque ending in a tall minaret, a 
long row of Arabs wrapped in their white cloaks sit sleeping, 
as a tall watchman, with lighted lantern, makes his rounds. 
The moonlight falls over the scene silvering it all, as well as 
the distant mosque whose domes and minarets rise in the dis- 

uy a / tance. Bauer, by his splendid pictures of Eastern street scenes, 
V has won great renown at home, being the only Orientalist of 
the Dutch school. 


Canvas. Signed. 
Height, 21 in.; width, 134 in. 


39 


HENDRIK WILLEM MESDAG. 
1831, 


Legion of Honor, 1889, 
Commander of the Order of Orange-Nassau, 
and many other honors, 


SUNSET ON THE NORTH SEA. 


Water-color. 


With her dark sails spread to dry, a fishing boat is drawn up 

on the sands. Some fishermen gather about her sides. Other 

boats are seen beyond. Above the stretch of gray water is a 

6 fine sunset sky. The sea has been the delight of this most 
f) famous of Dutch marine painters, and the changing aspect of 
water and clouds has been an ever fruitful subject for his 


ey ( 
JV 
os brush, 


Signed. 
Height, 9 in.; width, 11 in. 


40 


- JOHAN BARTHOLD JONGKIND. 
1822-1885. 


Pupil of Isabey. 
Medal, 1852. — 


CANAL IN NIEUWEDIEP, HOLLAND BY MOON- 


ww 


LIGHT. 


Through the center runs the canal fringed by trees and bor- 
dered by houses. Two boats, with tall masts, are drawn up 
to the left bank at a short distance. Moonlight breaks through 


the heavy clouds silvering the scene. 


Canvas mounted on a panel. Signed. 
Height, 124 in.; width, 164 in. 


41 


JOHANNES BOSBOOM. 
1817-1891, 


Numerous decorations and medals. 


STREET SCENE IN DORDRECHT. 


Water-color. 


A narrow Dutch street lined by tall gabled ‘houses curves 
away in perspective, the green copper dome of the town house 
filling the vista. In the wet street below some muffled figures 
are seen, with the play of light and shade characteristic of 


this great master. 


Signed. 
Height, 134 in.; width, 10 in. 


4® 


42 


VICTOR BAUFFE., 
1849— 


VILLAGE ALONG THE VECHT. 
Along the river bank at the left stretch the red-roofed houses 
of a Dutch village, ending in a windmill. Patches of green 
grass mark the borders of the stream and a couple of boats 


are moored to the bank. 


Panel. Signed. 
Height, 14 in.; width, 17 in. 


43 


BERTHAM PRIESTMAN. 
Contemporary English Artist. 
CATTLE IN PASTURE. 


The cattle, vigorously painted, stand prominently in the 
foreground, and show the close observation and conscientious 


training of the painter. 


Canvas. Signed. 
Height, 20 in.; width, 264 in. 


44 


WILLEM CORNELIS RIP. 
1856— 


Contemporary Dutch Painter, 
Medals, 1889, 1900, 1904. 


WINDMILL NEAR HAARLEM. 


W ater-color. 

This example of one of the new group of Holland’s able 
painters shows the typical Dutch windmill against a sky filled 
with moving clouds. Painted in the vigorous manner of the 
Dutch painters, it shows intrinsic qualities of a high order. 


Signed. Height, 14 in.; width, 204 in. 
Purchased from the Artist. 


45 


G. J. VAN DE SANDE BAKHUYZEN. 


The Hague, 1826-1895. 
Medals, 1861, 1863. 


AUTUMN SCENE, HOLLAND. 


Through an opening in the woodland a path runs off to the 
distant meadow, where a herdsman is guarding his sheep. Be- 
yond rise the square tower and buildings of a town. The 
trees clustering at both right and left foreground show the 
foliage of approaching autumn and a blue sky filled with float- 


NUP ing clouds arches above. 


Jv Canvas. Signed. 
Height, 184,in.; width, 20+ in. 


46 


R. AVIGDOR. 


Contemporary French Artist. 


HEAD OF A YOUNG WOMAN. 


With hair falling lightly on each side of her face, a beautiful 
young woman looks directly toward the spectator. Her neck 
is bare, but a white cape across her shoulders falls down over 
her dress, which is ornamented by a bow of ribbon. A similar 


bow is fastened to her hair. 


é @ [See illustration. ] 


Panel. Signed. 
Height, 25 in.; width, 21 in. 


47 


GEORGE POGGENBEEK. — 
1852-1903. 
Medals, 1883, 1889, 1898, 1896. 


A DUTCH MEADOW. 


In a sunny meadow bordered by trees a group of cows are 
seen peacefully grazing. At the left a stream runs down, its 
flow checked by a water-gate. Pollard willows line the stream, 

all in their midsummer dress of green. It is a characteristic 
example of one of the most charming painters of Dutch land- 
scape, whose death cut short a brilliant career. 


AW : 
LY} J Canvas. . Signed. 
Height, 15 in.; width, 22 in. 


48 


JOHANNES BOSBOOM. 
1819-1891. 


Medals, 1855, 1876. 
Order of the Lion. 
Order of Leopold. 


STREET SCENE, AMSTERDAM. 


W ater-color. 


Above the roofs which stretch away in perspective rises the 
tall church tower into the upper air, and various figures move 
through the streets below. It is a departure from from the 
church interiors associated with Bosboom’s name, but none the 
less interesting, since it shows the same play of light and shade, 
the same spaciousness and grace and breadth which are char- 


acteristics of his art. 


& 


Signed. 
Height, 134 in.; width, 10 in. 


46, ReEN&E AVIGDOR HEAD OF A YOUNG WOMAN, 


49 


G. J. VAN DE SANDE BAKHUYZEN. 


The Hague, 1826-1895. 
Medals, 1861, 1863. 


SUNSET, HOLLAND. 


Beyond a cluster of trees which rise at the left stretches a 
wide Dutch meadow where cattle graze. In the foreground is 
a pool of water, and the cloudy sky is tinged with the light of 


sunset, 
Canvas. Signed. 
isis AD Height, 11 in.; width, 13 in. 
+ | 
50 


JOSEF ISRAELS. 


™ 18od—= 
1867, 1878. 


Legion of Honor, 1867. 


FISHERWOMEN—SANDVOORT—A SKETCH. 


Israels is the foremost figure, the Rembrandt of modern 
Dutch art, and whatever comes from his hand shows 
his marvelous technical skill as well as his interpretative 
power. In his interiors and his outdoor subjects he shows his 
sympathy with the toilers of the land, and always tries to ex- 
press the inner spirit of their lives. 


§ 
3 44 il Canvas. Signed. . 
Height, 134 in.; width, 24} in. 


51 


JOHANNES HENDRIK WEISSENBRUCK. 
1824-1908. 


Various medals. 
Order of St. Michael of Bavaria, 
Order of Orange-Nassau. 


ON THE BROADS. 


This view of a fiat country shows broad stretches of water 
running through the land. A mass of twisted trees in the fore- 
ground breaks the horizon line, and at the right is seen a low 
house with tall corner poles. As usual in this artist’s work, 
great simplicity and suggestiveness mark the expanses of field 
and sky, but always with marked beauty of line and tone 
values. 


Canvas. Signed. 
Height, 104 in.; width, 30 in. 


52 


HENDRIK WILLEM MESDAG. 
1831— 
Medals, 1870, 1878. 


Legion of Honor, 1889, 
Commander Orange-Nassau order. 


THE OPEN SEA. 


Across the choppy waves of the North Sea approaches a fish- 
ing boat loaded with its deep-sea harvest, her brown sails filled, 
her pennant firm, in the stiff breeze. Other boats of the fishing 
fleet follow at a distance. A dramatic sky broken by masses 
of moving clouds fixes the attention and holds the interest of 
the observer. 


[See illustration. ] 


Canvas. Signed. 
Height, 24 in.; width, 30 in. 


53 


JAN VAN DER HEYDEN. 
1637-1712. 


ENVIRONS OF DELFT. 


Above the walled gardens, with their clipped treesand hedges, 
rise the castle and the square church tower of the town. At 
the right the hillside is terraced, crowned by a house of red 
brick. In the foreground two nuns are passing, while deer 
graze in the green meadows. ‘‘ He succeedeth better than any 
other painter,” says Professor R. N. James, ‘‘in combining an 
eee eery degree of finish with great breadth of light and 
shade.” 


o- 
fo°" ‘Panel. Height, 14 in.; width, 18 in. 
Formerly in the Worms Collection. 


Purchased from Durand-Ruel, Paris. 


54 


FRANCESCO GUARDI. 
1712-1798. 


SAN GIORGIO MAGGIORE, VENICE. 


The sun falls across the front of the church and convent 
of San Giorgio, seen across the water from near the Dogana, 
which rises at the right in shadow. Fishing boats and numer- 
ous laden gondolas move across the watery space, giving move- 
ment and sparkle to the picture. Increasing appreciation of 
the spirited work of Guardi has enhanced their value, but con- 
noisseurs have long held in high esteem the qualities strongly 
in evidence in this little masterpiece. 


9? 
} 6 7 ie [See illustration. ] 
Canvas. Height, 114 in.; width, 143 in. 


From the Collection of Lord Orford, Houghton Hall, 
Norfolk. 


So a Oe ee Ne Oe ee ee ee Se ee 


55 


JAN WYNANTS. 
1625-1682. 


DUTCH LANDSCAPE. 

This picture by the master of Philip Wouvermans and Adrian 
van der Velde shows a broken country with patches of wood- 
land whose perspective and masses of foliage are rendered with 
consummate skill. ‘His works are not numerous,” says 
Bryan’s Dictionary; ‘‘their scarcity is explained by the care 


0 and finish of their technique.” 
(ai Canvas. Height, 24 in.; width, 29 in. 
Formerly in the Thibaudeau Collection. 


(oe 


56 


BARON HENDRIK LEYS. 
Antwerp, 1815-1869. 
Medals, 1835, 1855, 1867. 
Order of Leopold, 1840. 
Legion of Honor, 1862. 


INTERIOR OF THE HYDRAULIC HALL AT ANT- 
WERP. 


This work, in which the great Flemish painter was assisted 
by his nephew and follower (Henri de Braekeleer, 1830-1888), 
shows the interior of one of the old guild halls at Antwerp, 
with its lofty ceiling and imposing mantel. At the left a man 


Q is seated at a table. 
a Attested on the back of the canvas. 
Height, 22 in.; width, 28 in. 


57 


GASPARD POUSSIN. 
1613-1675. 


A CLASSIC LANDSCAPE WITH FIGURES. 


Beyond a dark mass of trees which rises at the left, an open 
landscape stretches away to a castle at the right almost sur- 
rounded by trees. At the right are someruins, near which sits 
a beggar who appeals to a soldier passing. Beyond, a horseman 
is seen descending a roadway. 


Canvas. Height, 16 in.; width, 194 in. 
From the Collection of Lord Orford, Houghton Hall, 
Norfolk. 


eo 52. H. W. Mmspac. THE OPEN SEA. 


54. FRANCESCO GUARDI. SAN GIORGIO, VENICE. 


58 


~GIOVANNI BATTISTA TIEPOLO. 
1692-1770. 


ss" THE DEFEAT OF THE SARACENS. 


This interesting canvas dates from Tiepolo’s Spanish sojourn 
(he having been invited to the Spanish Court in 1762 by Charles 
Til), when he had come under the influence of the Anti-Moor- 
ish feeling then prevalent in that country. It is probably one 
of the series of historical paintings he was then commissioned to 


w execute. 


Canvas. Signed. 
Height, 51 in.; width, 34 in. 


59 


CORNELIS HUYSMANS (of Mechlin). 
1648-1727. 


THE FOREST OF SOIGNIES. 


This large and important example of Huysmans’ landscape 
work shows a view of a lovely valley bordered by the forest, 
with the spire of a distant village church showing besidea wind- 
ing river. Interest is awakened by the figures of a huntsman 
and his dogs emerging from the wood. 

gy Canvas. Height, 52 in.; width, 71 in. 
/ 0 Formerly in the Thibaudeau Collection. 


60 
EDWARD SEARLES. 


Contemporary English Painter. 
SUNSET ON THE CORNISH COAST. 


Canvas. Signed. 
Height, 24 in.; width, 36 in. 


SECOND EVENING’S SALE, WEDNESDAY, APRIL 20, 1910 


AT 8.30 O'CLOCK 


61 


P, E, RUDELL. 
Contemporary American Painter. 


SOLITUDE. 


Canvas. Signed. 
ae Height, 12 in.; width, 14 in. 
/*) 0 Purchased from the artist. 


62 


EDWARD MORAN. 
AT SEA. 


“(Tg oe 


Across a wide expanse of rolling sea a ship in full sail is seen 


approaching. 


Signed. 
Height, 124 in.; width, 21 in. 


638 
GEORGE BOYLE. 
Contemporary English Painter. 
A PATH AT THE EDGE OF THE WOOD. 


Canvas. Signed. 
Height, 17 in.; width, 21 in. 


64 


¥ A. FENETTI. 
ROSES. 


Canvas. Signed. 
Height, 16 in.; width, 18 in. 


joe 


65 


GEORGE INNESS, JR., N.A. 
» 1854—. 


LANDSCAPE, EARLY MORNING. 


Canvas. Signed. 
Height, 14 in. ; width, 12 in. 


Lig? 


66 


ROBERT HOPKIN. 


TARBET, SCOTLAND. 
Water-color. 


This scene on the Scottish coast is the work of a Scotch painter 
who came to this country and opened his studio in Detroit, 
where he gained considerable vogue. This harbor scene is a 
representative work, being painted some years before his death, 


5 Signed. 
/ KY 2 Height, 22 in.; width, 26 in. 


4 rT 8's 


L. C. EARLE, N.A. 
1845-1909. 
VIEW IN DELAWARE COUNTY. 


Canvas. Signed. 
Height, 8 in.; width, 12 in. 


/¢0e 


68 


UNKNOWN. . | : 
STUDY OF OXEN. 
An admirable study of oxen in a stable. 


Dated ‘‘ Sept 18% 1859 ” 
Height, 10in.; width, 154 in. 
Purchased in Paris by present owner forty years ago. 


69 


M. J. C. a BECKET. 
American Painter, deceased. 
NEAR MAGNOLIA, MASSACHUSETTS. 


2 Canvas. Signed. 
i Height, 24in.; width, 18 in. 


70 


O. PICHAT. 
GENERAL DUMAS AT THE SIEGE OF PADUA. 


The father of Alexander Dumas wearing the uniform{of a 
French general, with cocked hat and tricolor sash, is seen 
mounted on rearing black horse. Ramparts stretch away at 
the right and shells are bursting near by as well as in the dis- 

From this finished sketch the artist received an order 


0 tance. 
/ ~ ey from the French government for a life-size work. 


Signed. 
Height, 124 in.; width, 104 in. 
Purchased from the artist. 


71 


KARL WILLIAM FRIEDRICH BAUERLE. 


Born in Wurtemburg, 1831— 
Settled in England in 1869. 
SPRING. 
Two children, a boy and a girl, clothed in white, are seen in 


profile gathering flowers. Though devoting himself to paint- 
ing portraits, this artist excelled in the delineation of child- 


hood. 
Canvas. Signed. 
Height, 274 in.; width, 34 in. 
[ py Exhibited at the Royal Academy 1873. 


72 


EMILE CHARLES LAMBNIET. 
1815-1877, 


AMONG THE WILLOWS. 


Beneath the double row of willow trees curves a path 
through the center of the picture reaching away in perspec- 
tive. Figures are seen here and there in the shade. Above is 
the blue summer sky. The work of this painter is to be found 
in a number of French provincial museums. 


y) f Canvas. Signed. 


Height, 31 in.; width, 25 in. 


Faia 
, eae 


Ce 


73 


MAURICE BOMPARD. 


Contemporary French Painter. 


DEAD CALM ON THE MEDITERRANEAN. 


On the blue waters of the southern sea floats a group of fish- 
ing boats with their red and yellow sails spread to catch any 
chance breeze. On the edge of the water stretch the white 
houses of the town, broken up by their green gardens, and the 
blue southern sky over all. Loving the sunlands and the sea, 
the artist here conveys the restful quiet of Southern France, 
his native land. 


[See illustration. ] 


Canvas. Signed. 
Height, 204 in.; width, 25 in. 


74 


ALFRED EAST. 
Contemporary English Artist. 


MORNING MIST IN THE VALLEY OF THE OUSE. 


Beneath the willows stretches a plain broken by streaks of 
sunshine, wherea flock of sheep is being herded by two men. 
Gray mists hang over the scene broken by shafts of light. 


[See illustration. } 


Canvas. Signed. : 

Height, 154 in.; width, 22 in. 

From the William O. Cole Collection, who purchased 
it directly from the artist. 


74, ALFRED East. MorNING MIST IN THE VALLEY OF THE OUSE. 


So A 


va at id va 


a Zt Signed. 


as | 75 


L. BALESTRIERI, 


Contemporary Italian Painter. 


PARIS IN WINTER. 
W ater-color. 


~ 


Above the massed roofs of the city rise the blunt towers and 
sharp spire of Notre Dame, all white with snow. Below the 
river is seen with barges drawn up at the banks, their tops 
covered with the new snow. At the left the trees lift their 
gaunt branches, 


Height, 14 in.; width, 19 in. 
| 


j 


76 


B. C. KOEK-KOEK. 
Dutch Painter, 1803-1862. 


LANDSCAPE IN FLANDERS. 


Along a roadway which runs away from the foreground a 
flock of sheep and a herdsman are seen approaching. Noble 
trees rise at the right above the roadway and a pool of 
water is seen at the left. Over all isa blue sky with summer 


/ hy Ly clouds. 


Signed. 
Height, 14in.; width, 19 in. 


V7 


EDOUARD FRERE. 
1819-1886. 


Pupil of Paul Delaroche. 
Medals of 1851, 1855. 
Legion of Honor 1855. j 


CHURCH AT VILLIER LE BEL. 


This work from the renowned painter of French domestic 
interiors shows a village street in winter with a view of the 
church in the old town, and reveals the same able qualities 
which have won for him so high a place in the regard of dis- 


criminating collectors. 
Canvas. Signed. 

Height, 15 in.; width, 184 in. 

From the James McCormick Collection. 


TS 


PIERRE EMMANUEL DAMOYE. 


French Painter. 
Pupil of Corot and Daubigny. 
Medals 1879, 1884. 


THE GREEN VALLEY. 

Like Daubigny, his friend and master, Damoye loved the 
green landscapes to be found in the valley of the Oise and 
painted them again and again with fidelity and charm. While 
showing the influence of his master, he still has qualities 
wholly his own worthy of the highest endorsement, 


Canvas. Signed. 
Height, 14 in.; width, 244 in. 


From the William O. Cole Collection. 


79 


MARIANO BARBASAN. 


Contemporary Spanish Painter. 


ON A SPANISH HIGHWAY. 


3 ge 


Along the roadway, white under the vivid sunlight, motley 
groups of people are seen making their way toward the city 
dimly seen at the right. In the foregronnd against a wall, 
above which tall cypress trees rise, a family is seen at rest 
watching their pigs, while beyond some turkeys strut about. 
Still further beyond are covered wagons and donkeys and 
people, all a gay throng of life in tag, tassel and filigree under 
a blazing sky. 


Panel. Signed. 
Height, 102 in.; width, 12 in. 


80 


RENE AVIGDOR. 


Contemporary French Artist. 


SALOME. 


Lt sev 


In a dress of dull red and green, which leaves the neck and 
arms bare, a young woman with her hair falling down about 
her shoulders stands holding a salver before her on which is 
seen the haloed head of John the Baptist. She looks down at 
it more in sorrow than in satisfaction now that her wish is 


gratified. 


Canvas. Signed. 
Height, 42 in.; width, 30 in. 


Ate ae PT eee 
~ ake ae 


81 


RICHARD FEHDMER. 


Contemporary Belgian Painter. 


THE ROAD THROUGH THE WOODS. 
Water color. 


Down a road leading through a fine forest of beechwoods 
approaches some cattle being driven home at evening. The 


o warm light of sunset fills the scene, adding to the poetic in- 
a <i terest, while the drawing of the trees, for which this artist is 
y renowned, shows his profound knowledge of tree forms. 


Signed. 
Height, 24 in.; width, 36 in. 


$2 


PAUL JEAN CLAYS. 
1819-1900. 


Medals 1851, 1867. 
Legion of Honor, 1875, 
Medal, Exposition 1878. 

Order of Leopold. 


ON THE RIVER SCHELDT. 
Water color. 


On the broad waters of the river some market boats drift 
lazily, their yellow and brown sails sagging lifelessly. In the 
foreground a waterman is ferrying two passengers across to 
the near shore in a heavy black boat. In the distance rises a 
windmill, alongside of which is moored a small boat with 


orange sail. 


“S 


ae Signed. 
| Height, 154 in.; width, 214 in. 


aes 


bye 


83 


COUNT A. DE BYLANDT. 


Belgian Painter, deceased. 


GOING TO MARKET. 


Along a country road a loaded market wagon drawn by 
sturdy horses passes, while another toilsomely follows at some 
distance in the rear. The landscape background is one of 
summer freshness hemmed by a range of mountains, and is 
painted with great care and knowledge. A companion work 
hangs in the Corcoran Gallery, Washington. 


Canvas. Signed. 
Height, 24 in.; width, 36 in. 


84 


CONSTANTINE MEUNIER. 
1831-1902. 


Medals 1869, 1873. 
Order of Leopold. 


A HIGHWAY IN FLANDERS. 


Along a roadway bordered by broad tilled fields a peasant 
woman bearing a market basket on her back is seen walking 
sturdily with a staff. She wears a red kerchief about her 
head. The broad view is unobstructed save for a short section 
of rail fence, and some trees on the far off horizon. Beginning 
his art career as a painter, Meunier latterly devoted himself to 
sculpture, in which he won renown. 


Canvas. Signed. 
Height, 23 in.; width, 32 in. 


85 


FRANZ COURTENS. 


Contemporary Belgian Painter. 
Medal 1884. 
Work in the National Museum at Brussels. 


MILKING TIME. 


In a farmyard stands a white cow and beyond approaches a 
maid with a pail. In the distance stands the farm buildings 
shaded by trees, between which falls strong splashes of sun- 
light touching the cow’s back and speckling the ground—all 
rendered with this painter’s bold and vigorous technique. 


97 
nal Canvas. Signed. 
Height, 19 in.; width, 25 in. 


86 


JAMES McNEILL WHISTLER. 
1834-1903. 


THE PRISONER. 


This highly interesting early work of the artist was declared 
by him to be the first definite commission undertaken by him 
in Paris, and was painted for Captain Williams, of Stonington, 
Mass. On page 72 of Pennell’s ‘‘ Life of Whistler” it is de- 
scribed as follows: 

«¢,. There was also, he said, a woman holding up a child 
towards a barred window, beyond which, seen dimly, was the 
face of aman. ... He was sure he must have made Something 
interesting out of them, he knew they were wonderful things 

A even then (the beginnings of harmonies and purple schemes). 
QS, He supposed it must have been intuition . 
On the back of this canvas are two unique caricatures by 


Whistler. 

Canvas. 

Height, 39 in.; width, .... in. : 

Purchased from Mr. E. Williams, nephew of the 
original owner. 


% 


6 , 
tis 


Js 


87 


EUGENE ISABEY. 


1804-1886, 
Medals 1824, 1827, 1855. 
Legion of Honor, 1832. 


FISHING BOATS OFF DIEPPE. 


With brown sails spread and flag flying at her masthead 
a fishing boat is approaching the quay, while a small boat 
comes alongside. In the background the white buildings of 
the town are seen. 


_ Canvas. Signed. 


Height, 184 in.; width, 14 in. 
Exhibited at the Salon, 1854. 


S$ 


 HENDRIK WILLEM MESDAG. 


1831- 
Medals 1870, 1878. 


FISHING FLEET OFF SCHEVENINGEN. 


Mesdag’s subjects are all simple enough and may be found 
any day along the shore, but few have his ability to record 
them. He presents his scenes of sea and shore in all kinds of 
weather, noting the effects of light, which have had such fas- 
cination for him. Nor do we find him repeating himself, for 
the light on sea and sky is always changing, always presenting 
new and mysterious problems for the dreamer, 


Canvas. Signed. 
Height, 192 in.; width, 254 in. 


89 


E. BERNE-BELLECOUR. 
1838- 


CHASSEUR-A-PIED. 


A French soldier in infantry uniform and with gun sus- 
pended over his shoulder, stands examining a Prussian helmet 
left on the battlefield. Beyond stretches a landscape of fertile 


; fields. 


Panel. Signed. 
Height, 14 in.; width, 10 in. 


90 


EMILE ADELARD BRETON. 
Brother and Pupil of Jules Breton. 


Medals 1866, 1868, 1878. 
Legion of Honor, 1879. 


IN THE JURA MOUNTAINS. 


From an elevated plateau in Southeastern France. the be- 
holder looks down on a small lake hemmed round by the 
mountains. On the edge of the lake rises a castle with the 
village roofs behind it. The whole scene is touched with 
the russet colors of autumn contrasting with the snow-covered 


range beyond. 


Canvas. Signed. 
Height, 16 in.; width, 28 in. 


91 


ALPHONSE ETIENNE DINET. 


Contemporary French Artist. 


THE CATHEDRAL OF COLOGNE—AN IMPRESSION. 


The great front of the Gothic minster rises before the ob- 
server, the slight sketchy manner in which the impression is 
rendered only adding to the effect of lightness and grace con- 
veyed by the structure itself. Sunlight falls across the south- 


0 ern wall, while the houses on the side are in shadow. Cabs 
A | er, and moving figures in the street serve to heighten the majestic 
3 4) effect of the great cathedral. 


Signed. Canvas. 
Height, 25 in.; width, 174 in. 


92 


NARCISSE VIRGILE DIAZ DE LA PENA. 
1807-1876. 


Medals 1844, 1846, 1848. 
Legion of Honor, 1851. 


WOODLAND LANDSCAPE. 


Through the interlacing branches of the forest the sum- 
mer sunlight falls touching leaf and trunk with gold and 
making a brilliant varigated pattern. Above a bit of blue sky 
is seen, altogether forming a picture of exquisite harmony, 

a The picture was inherited by the present owner from her 
S WwW father, who bought it many years ago. 


Panel. Signed. 
Height, 72 in.; Width, 102 in. 


93 | 
FRITZ THAULOW. 


STREET SCENE, VENICE. 


Along a shaded quay a woman wearing a red shawl which 
flutters in the wind makes her away. She carries one child in 
her arms and leads another. Dark piles rise from the canal at 
the right, and beyond a bridge is seen with a light.. The walls 
of the building show broken patches of color. The scene is 
painted with the firmness and knowledge characteristic of this 
brilliant Norwegian artist. 


Panel. Signed. 
Height, 10 in.; width, 17 in. 


94 


CHARLES ‘EMILE JACOUER 
1813-1894. 


Medals 1861, 1863, 1864. 
Legion of Honor 1867. 


IN THE SHEEP STABLE. 


In a roomy cheerful stable a number of sheep are gathered 
about a shepherdess in yellow blouse and blue skirt who bears 
an’ armful of straw. In the foreground some chickens are 
scratching in the straw at the feet of a young lamb. 


[See illustration. ] 


Canvas. Signed. 
Height, 22 in.; width, 18 in. 


IN THE SHEEP STABLE. 


CHARLES EMILE JACQUE. 


94. 


ed 


“G6 


"ZYIC “A ‘N 


‘slog Od sauany 


96. C. Trovon. A Cow IN PASTURE. 


j . 
4 * 
i ee 
is. 
ts 
F 

Aa 
ie 
i 


95 


NARCISSE VIRGILE DIAZ DE LA PENA. 


1809-1876, 


Medals 1846, 1848. 
Legion of Honor 1851. 


AUPRES DU BOIS. 


This splendid example of the Franco-Spanish painter shows 
one of the sunny wooded landscapes which he produced under 
the influence of Rousseau and which he failed to equal in his 
later career. A peasant Woman stands by a pool in the fore- 
ground, and the whole beautiful stretch of the Barbizon coun- 
try is flooded with the golden sunshine which he rendered 
with such rare ability. 


[See illustration. ] 
Panel. Signed. Height, 10 in.; width, 14 in. 


From the Collection of Stephen G. Holland, Esq., 
London. 
Exhibited at the Guildhall Exhibition, London, 1898. 


96 


CONSTANT TROYON. 
1810-1865. 


Medals 1888, 1840, 1855. 
Legion of Honor 1849. 


A COW IN PASTURE. 


é ey’ 


In a wide-stretching green meadow a sleek-looking cow 
stands, her back touched by the sunlight. In the distance are 
a few trees, and some other cows grazing under a sky filled 
with summer clouds. It is all so simple, so familiar to us, yet 
made so interesting by the art of the great painter. 


[See illustration. ] 


Canvas. Signed. 
Height, 24 in.; width, 29 in. 


Purchased at the Hotel Drouot, Par is, many years ago 


97 


JULES DUPRE. 
1811-1889. 


Medals 1833, 1867. 
Legion of Honor 1849. 


LE SOIR A L’ETANG. 


It is the quiet evening hour and a tender light falls over the 


0 landscape and the pond in the foreground. The beauty of the 
a WF, scene stirred the mind of the artist in an effort to record his 
LS b own mood, and communicate his own feelings to others. 


Canvas. Signed. 
Height, 14 in.; width, 174 in. 


98 


CHARLES AUGUSTE EMILE CAROLUS- 
DURAN. 


1837. 


Legion of Honor, 1872. 
Officer, 1878. 
Commander, 1889. 
Medal of Honor, 1879. 


A PARISIAN TYPE. 


A man of the Latin Quarter wearing a blue blouse is seated 
sidewise on a carved chair, looking smilingly at the spectator. 
The vigorously painted head is seen against a’ light wall 
scrawled with lettering. This interesting work from one of 
the greatest of the modern French masters of painting illus- 
trates those artistic qualities which have won for him his tri- 
26 umphant success. 


Canvas. Signed. 
Height, 34 in.; width, 20 in. 


90 


Q 
J>0°- 


99 


THEODORE ROBINSON. 
1854-1896. 
Recompenses 1890, 1892, 1893. 


VALLEY OF THE SEINE IN WINTER. 


Over a landscape tinged with the colors of autumn foliage 
comes the first winter snow, filling the ruts in the ground and 
lying on the distant hillsides that rise above the river. A 
pinkish haze of a frosty day hangs in the air like a dream, 
through which are seen some women gathering faggots. It is 
an interesting and valuable example of one of the most talented 
of American painters. 


Canvas. Signed. 
Height, 20 in.; width, 25 in. 


100 


P. A. J. DAGNAN-BOUVERET. 
Born Paris, 1852. 


Medals 1878, 1880. 
Legion of Honor, 1885. 
Medal of Honor, Exposition 1889, 


A ROMANCE. 


A young girl, whose blonde hair falls low over her ears, looks 
up from a blue covered book held open in her hand, gazing 
directly at the spectator. Her dress of light material shows a 
touch of red on the shoulders. Throughout is felt the mystical 
charm that distinguishes all the work of this remarkable 
French painter. 


[See illustration. ] 


Canvas. Signed. 
Height, 22 in.; width, 154 in. 


101 


JEAN CHARLES CAZIN. 
1840-1900. 


Medal, 1880. 
Legion of Honor, 1882. 


SUNSET ON A NORMANDY MEADOW. 


Along a road through the meadow moves a loaded market 
wagon drawn by four horses. Beyond the: low’ broad roofs of 
a farm house is seen against a line of young trees seen clearly 
against the sunset sky. Stubble tires are lighted here and 
there along the roadside, the rising smoke‘adding to the misti- 


ness of the atmosphere. 


Canvas. Signed. 
Height, 13 in.; width, 18 in. 


102 


HENRI LEROLLE. 


- Contemporary French Artist. 


Legion of Honor, 1889. 


THE CLOSE OF DAY. 
Through the centre runs a canal bordered by houses on the 
right which are joined to the opposite bank by footbridges. 
Along the bank at the left runs a path where a girl with a pail 
stands in contemplation. It is the sunset hour and a quiet, 
rosy tight floods the whole scene. 


Canvas. Signed. 
Height, 32 in.; width, 394 in. 


A ROMANCE. 


P, A. J. DAGNAN-BOUVERET. 


100. 


103. FELIX ZIEM. CANAL’ DI SAN Marco. 


1038 


FELIX ZIEM. 


1821-1908. 


Medals, 1851, 1852, 1855. 
Legion of Honor, 1857. 
Officer, 1878. 


CANAL DI SAN MARCO, Venice. 


The composition shows the wide sweep of the Canal di San 
Marco as it narrows toward the. Grand Canal, with the Cam- 
panile rising as a feature to lead the eye. A picturesque group 
of fishing-boats with sails flapping in the midday air is seen in 
the foreground. Painted in his most finished manner this fine 
example of Ziem was selected as the one work of this master 
to represent him at the Franco-British Exhibition in London 


in 1908. 
{See illustration. ] 


Canvas. Signed. 
Height, 24 in.; width, 32 in. 


Illustrated in Catalogue de Luxe Franco-British Ex- 
hibition, 1908. 


104 


DEWING WOODWARD. 


SLEEP. 


A young woman wholly nude reclines on her side, one arm 
raised above her head, the other holds a blue cushion to her 
side. Her red hair, unbound, flows along the figure. A bril- 
liant example of flesh painting from a talented American 


painter. 


Signed. 
Height, 21 in.; width, 43 in. 


Exhibited at the Salon, Paris, in 1905. 


ake 


aé 


105 


EDOUARD MANET. 


1833-1883. 


Pupil of Couture. 
Medal, Salon 1881. 
Legion of Honor, 1882. 


STILL LIFE. 


On a bare table are seen some glasses, a bottle, cheese, cov- 
ered with glass, some fruit, a plate and a used napkin, form- 
ing an unusual example of this great French painter, the 
founder of modern impressionism in painting. It shows the 
same visual perception and masterly handling that are to be 
found in his ‘‘ Boy with a Sword” in the Metropolitan Museum. 


Canvas. Signed. 
Height, 214 in.; width, 26 in. 


106 


PAUL ALBERT BESNARD. 


Contemporary French Artist. 


Grand Prix de Rome, 1874. 
Cross of the Legion of Honor. 


UNDER THE FOLIAGE. 


The head and bust of a young woman is seen in profile 
against a background of a green midsummer landscape. She 
wears a tunic with open neck and her red hair is crowned with 
a wreath of flowers. Some branches trail across her bosom. 
The artist has won renown by his decorative paintings in sev- 
eral public buildings in Paris, and by his figure compositions, 
which have marked style and poetic sentiment. 


Canvas. Signed. 
Height, 21%in.; width, 18 in. 


107 


JEAN JACQUES HENNER. 
1829— 


Medals 18638, 1865, 1878. 
Legion of Honor, 1878. 
Member of Institute, 1889. 


SUMMER. 


In a quiet glade a young woman or wood nymph wholly 
nude lies at full length on the grass beneath the trees. The 
0 picture is one of exquisite quality, and carries the spirit of 
’ 6° —_ antique idyls which poets syng. Notwithstanding the poetic 
; er) ideality. there is a quality of flesh painting, for which 
this master’s work isso remarkable. This picture belongs to 
the artist’s best period, before he had fallen into producing 
the long series of remarkable red-haired women, 


|See illustration. ] 


Canvas. Signed. 
Height, 11 in.; width, 18 in. 


108 


MATHIAS ALTEN. 


Contemporary American Painter. 


GRADING THE ROADBED. 


This vigorous work shows a team of horses driven over a hill 
which is being cut away for some new pathway of commerce. 
uy? 

Canvas. Signed. 
Height, 21 in.; width, 27 in. 


-(t~ 


109 


JEAN HONORE FRAGONARD. 
1782-1806. 


L’ENFANCE DE JUPITER. 


The infant Jupiter is seen in the midst of a group of women 
with the goat Amalthea by whom he was nourished. The back- 
ground is formed by a cluster of trees against a blue sky. The 
picture was one of a series of decorative panels executed for 
the Chateau de Rocheouart, Limousin. 


Canvas. 
Height, 26 in.; width, 204 in. 
From the collection of M. de Rocheouart-Pontville. 


110 


GEORGES MICHEL. 
1763-1848. 


PLAINS OF MONTMARTRE. 


A broad road crosses from the right passing under a yellow 
bank, and is lost to the left behind a clump of trees. At the 
right are seen some horses and a wagon. Light and shadow 
play across the landscape beneath a sky -heavy with rolling 


clouds. 


Canvas. 
Height, 21 in.; width, 26 in. 


111 


FRANCOIS HUBERT DROUAIS. 
1727-1775. 


MADEMOISELLE DE BRISSAC, DAUGHTER OF THE 


DUC DE BRISSAC. | 

A young girl with dark hair and eyes, is seen, front view. 

She wears a blue dress with white ruffles about the neck and 
corsage. 


Canvas. 
Height, 18 in.; width, 154 in. 


107. J. J. HENNER. SUMMER. 


IOI TI HL IR LE OIE SN EIS OR OI RR MN TT RE 8 A EE 


23 ae 


112 


ARN OCMEERRER. 
1795-1858, 


Grand Prize, Antwerp, 1816. 
Legion of Honor. 


2 


ak he <eers iv. 


THE MAGDALEN. 


Seen in front view, a young woman is seen in half length. 
Her blue drapery falls away leaving her bust nude which she 
covers by crossing her arms on her bosom. Her head is turned 
to the right, and her hair falls down on her shoulders. The 
picture belongs to the last period of his life when he produced 
his greatest works—the period of his ‘‘ Christus Consolator.”’ 


Sar Canvas. 
2o 0 ae Height, 352 in.; width, 273 in. 
113 
SIR WILLIAM ETTY. 
1789-1849, 
MISS ANNE JAY, OF BATH, AS POVERTY. 
Pastel. 
Signed. 
Height, 204 in.; width, 154 in. 
i) 
/o°- 
114 
WILLIAM DOBSON. 
1610-1646. 
PHILIP HERBERT, EARL OF PEMBROKE AND 


MONTGOMERY. 


The bust portrait of a man with long hair, looks directly at 
the spectator. He has a mustache and imperial and wears a 
wide lace collar over a yellow satin coat with large slashed 
sleeves. From a wide blue ribbon about his neck hangs a 
decoration. His right hand, gloved, holds a cane. 


ie] 
Jo ‘- Canvas 
Height, 30 in.; width, 25 in. 


Purchased at the Blakeslee sale, 1908. 


xy 


115 


GEORGE VINCENT. 
1796-1832. 


ROAD SCENE IN THE THAMES VALLEY WITH 
CATTLE. 


From the foreground a roadway curves about a clump of 
fine trees rising at the left, toward the river lying in the valley 
beyond. In the centre of the road are a group of three cows 
whose drover stops to speak with a man seated at the roadside: 
In the distance a woman, child and dog are seen. A blue sky 
with rolling summer clouds arches above. 


Canvas. Signed. 
Height, 24 in.; width, 32 in. 


Exhibited at the British Institution, 1818. 
From the Heritage sale, 1876. 


116 


JOHN HOPPNER. 
1758-1810. 


PORTRAIT OF JAMES, AFTERWARDS FIRST BARON 
GAMBIER, OF IVER HOUSE, BUCKINGHAM- 


SHIRE. 


A front view of a young man is seen wearing a white wig. 
His brown coat falls away in front showing white ruffled shirt. 
He gazes directly at the spectator. Hoppner was the chief 
rival of Lawrence as a portrait painter, 


Canvas. 
Height, 30 in.; width, 25 in. 


Shown at the Royal Academy, 1794. 


. 117 


RICHARD WILSON. 
1713-1782. 


ITALIAN LANDSCAPE. 


we 


From a plateau in the foreground, on which are seen two 
figures, the observer looks down on a beautiful lake, beyond a 
tree rising at the right. Still further is the sunlit country, 
under a warm sunny sky with floating clouds. The whole 
aspect is one of peace and serenity. 


Canvas. 
Height, 20 in.; width, 26 in. 


118 


GEORGE ROMNEY. 
1734-1802. 


MISS FRANCIS RUMBOLD AS ARTEMIS. 


gw?” 


The figure is seen front view with head turned to the left. 
The hair bound with a fillet holding a crescent above her fore- 
head, falls to the shoulders, where a red mantel is gathered 
over her white waist. Below her bosom a quiver is suspended 
by a blue ribbon, and she carries a bow in her right hand. The 
subject was the daughter of Sir Thomas Rumbold by his first 
wife. She later became the wife of Colonel Hale Rigby, of 
Mistley Hall, Essex. 


[See illustration. ] 


Canvas. Painted in 1777. 
Height, 24 in; width, 19 in. 
Included in Humphrey Ward’s Catalogue Raisonné. 


119 


JAMES BURRELL. 


English Printer, deceased. 


THE ENGLISH CHANNEL. 


Tossed about on a heavy sea a small freighter, with sails set 
to astiff breeze, is making her way into port. Some people on 
the shore watch her progress with interest, their presence 
adding interest to the picture. A fine sky adds to the beauty 
of the picture. ‘ 


Canvas. Signed and dated 1874. 
Height, 30 in.; width, 48 in. 


120. 


SIR THOMAS LAWRENCE, P.R.A. 
1769-1830, 


PORTRAIT OF JOHN KEMBLE AS CATO. 


Lawrence painted Kemble four times in different roles, first 
as Rolla, then Hamlet, Coriolanus, and last in Addison’s Cato, 
which he thought to be the best. In a letter to his brother, 
dated Jan. 29, 1812, Lawrence says: ‘‘The work I am now 
about is. a.generalized portrait of Kemble as Cato, or rather 
Cato meditating on the Phedon of Plato, for which I take 
Kemble as my model. You will be surprised to know that it 
is his finest part. . .. It will be the last picture I shall paint 
with Kemble for my subject and I know it will be my best.’’ 


Canvas. Height, 47 in.; width, 30 in. 

Exhibited at the Royal Academy 1812. 

Exhibited at the British Institution 1830. 

Engraved by Ward, also byS. W. Reynolds. 

Described atlengih in William’s ‘‘ Life of Sir Thomas 
Lawrence. 

Reproduced in the ‘‘ Life of Sir Thomas Lawrence,’’ 
by Lord Ronald Gower. 

The copy of Reynolds’ engraving, is to be sold with 
the painting. 


118. GEORGE RoMNEY. FRANCIS RUMBOLD AS ARTEMIS. 


121. 
UNKNOWN. 
STOKE POGIS CHURCH. 


At the right rises the little church famous as the scene of 
Gray’s Elegy, surrounded by the peaceful churchyard where the 
poet himself lies buried. The work was for a long time attrib- 
uted to Constable. 


cal Canvas. Height, 26 in.; width, 39 in. 
abe From the Gov. Carroll Collection, sold by the Amer- 
ican Art Association. 


122. 


ENGLISH-NORWICH SCHOOL. 
Early part of the 19th Century. 


THE FALLEN TREE. 


Through the center of the landscape lies the fallen tree. 

Other noble trees left their branches beyond and some donkeys 

and men are seen in the foreground. The picture shows both 

the coloring and the careful minute drawing which marked the 

F 2 followers of ‘‘Old Crome’’ and perhaps some little investiga- 
dot 6 62 tion would establish its authorship definitely. 


Canvas. Height, 30 in.; width, 41 in. 


VLADISLAWS GUMINSKI. 
Pupil of Ludwig Knaus, Berlin. 


THE FIRST SNOW, RUSSIAN LANDSCAPE. 


On the edge of the woods, wild boars are seen running through 
the snow. Evening is coming on. Some crows are fluttering 
among the branches of the trees, which are in autumn foliage. 


3 y, wf Signed and dated 1888. 


‘ Height, 324 in.; width, 46 in. 
Exhibited at the World’s Fair, Chicago, in the Rus- 
sian Art Collection. 


‘ Z AR os | | ye 3 es 
cE TTTUTE (ANY AEP ne Wik yo 

‘a “¢ RESEARCH INS x z a pSya% ran “hy ZN os al \ a, 
oF oe - 4 om f ane it ‘ . ae Ly 
ee 4 arr. Us AA aly. GN 
4 a i 0 Od aa wae 4 ned ice « 

ine AX “3 3125 01662 8840 BEE ete Sah | Yale” 
~~ hit an fa a ays Tr p's ihe. ak, Pe, . ie gee ie aby = x Ree \ WS POM Fay i ee pee i cy 


A . an bre ny 
hase ia ee 
ee e 
Peal 
"i — Ti Tg iB 
2% 2 - 


Sy 


eR (Se 


“ 
feet, 
ivalNen my 
4 re Fore aa 
ai Ls S 1 he 


tots 
trtorigcay ents 
APS 2= OF Nee 
Wadd eaihiUTFU Res 
bLih Maoh ceacaea he eas 
to orem Paras 
3 Wh by ates aoe 


SERRE VE 
RS ANI Ry 


RP CAN DENN. ie Sissy te 
(an piwea hy 
VAAe 4 das ths an Una 
Seat eee: 


ca ia tindeeba tke Ps 
pape ee rab noted ES 


ie) 
irks Gra hires pomp thn AIS 


a 


9 EARS RSS 
Na bre ba 
Pye EDT Enis he Eye y es 
ERY ase riper ye AVAL AYE ese 
ris pstbcineah ty ihebh ome hatchery 
re Sead 


MONE NR HFRS 
ey PUNE ETY 
HS OPA rere 
nl leigh rete 
Ss intiecee baa band Bab Sha 
Nest Fo RN cu FeT 


pon Selina rieen 
aes meh esisinarshnaote wap yee Fea. 
Rarortagnghlh i earUArOrer arn Warcwn ta eas + Se, wea tvear YAMS Se 
DTG Sete Baty Selene) Sahat kob-aibehihs ese 
patolou Uelaltitamlisantes S 

Tet ged bet on ind Es kD 
ves SE ode oe Reee aren aces 


Si ih edn 


ii bited Sinus 
Ud ADS r 
YATE 
bay aretha Seep 
SaGuevees o> 
J rete 
as ctyeatsin) PER 


a EVE WAS 
pus 
wes 


a Rees 
wee 


a ma 
pore eres Fl edarathcie he 


me tay al Pyne, 


Sia pel 
15 ae A 
ena eis ws, 
a he RIB yg 


sige 
pecan rt Hertacrericy: tein 
pasar eariesey 
‘ SS cas Rethe bea ites hahaa ) 
ah haha Pum sy= ye 
ee one ae SE pecpeatis Peer Sikes 
ae nee FWA Ee Ses ka wad PAE PRAY SERS IOCE IAM Hye venttor es laRoNts 
up ky pane omnes fiobaria ay Seen talpiahetinitt ey ts Als 
3h ahicatee tte teeeipenits eat ky 
URS EER HUY byl et UN ee 


ahoutyng 


mye pase saeke 
iets a ahaha 
aye sie oat trte ones nhs 


i 


rt Bras mee 
Roi bode he 
ee she 
ra a 
ae 
inp ties 


cone 


Hh, 
mo \ 


inns 
i, Rays 
HEAP TS 
ita 


x 
stencil 
ices ; 


enue 
paths iy matt 
fan yaa 


baie 
Cp Ney ba ie + 


Dc ytas 


pout 4 Penna ial an 


te 
S baea 
8 


ery PRCT TREES 


brophg gui Oot daa 


24) 
Sone) ine 


aay 


eee Vy a EAT At 
eee ssi 


as 
Peed 


Shia tinue § bit he 
PR Eh 


Ke Hae vin ‘ 


ee htryaa 
i 


niVaaed ghok MARS Re ee 


a 
SoM RS a ag Shi 
ERTS FH etry 
RESET pe NY 


boseaatse Fu: 
stethysy 
sti 


ae y ‘eo é 
Sbisceaneeninl +e 
Rants: 


Cp ey 
seh 


herp 
IOP Y EE 


“Uae th 
Sead eo: 


whee 


Le Ba 
i iedesaeahaa tints Seis 
REM aiden Diaenctiact 
Pay ev. +4 
Vawone bay 


brates 


Hee Riis iD 
YA ate 
eae 


a 
Ss PO al mies 
ENE E WEE SAS ceyerhe 
Riera dss 
2 aN Bh 
‘i a te 
BAEC eee 
Set 
cue : ae 


Pus hi Aad 
eH eke fi 
ty seat ca AUS 
Reese Tyeats 
” tater pe An 
rant ats 


mace Ret tet RG 


Dh 
‘yeaah oh 
tet Farts 
ah aie enthy Nimes 
$ave 1 
ae 


FETAL EE Nb 
a 
ee ys 


enn hy 
‘ en tle 


af : i ie ee % 
ue if on = 

a ae ara 
RAS tea) 


as rn cee 
iain ; 
See t ote Aah 
eae i file 


bes+ 
arty 
coitre 
* Cones 


ae ee 
hit 


wher 


iam 


t iota 


Ane Mirena 
if 


sy s\n net »Y 


oe 


eae ney yer oo 


mene 
bah at 


ded) yuk 


ert 
ihe rane 
ne Set ie 


\ May 
bk 
My 


rat 


aN) tig 

a8 hy A 

1s Wa 
iW 


ei ek 


t 


ie i 
i 


a 
Tyas 


Salt 
ae 


Tis 


je 


‘ 
i haat oe H 


“eet matt tale 


F) 
Si ok ral 
a 4 


he 
<t 


aah ae we ah 


Pe 
tals 


Hs 


HUTA Or rat 


ae 


i Ri 
ae 


BUR 
apn 


sith 


PH aa 

{ SON et 
Aah i 
an : 


mates 


A 


_ : 
Pha 
ty ve 

We oa 

4, x 


oe 


TG 


Wey. 
se rian 


ear 


i 


ste 
: 


“ar eR ore 
Pe at 


ig a 


“ibd f) 
ce Abye 


ae 


it 


